This month Handmade on the Front Range celebrates its first anniversary. In August of 2014, it launched with a four-part series on artisans who had participated in the Fort Collins Studio Tour earlier in the summer. The first of the series featured potter Susan Sternlieb, who showed me how she slumps ceramic bowls and platters. The last of the series featured Heather Bartmann and Cindy O’Neill, who introduced me to the potter’s wheel, along with Chris Wolff, a master of raku firing.
Diana Begner uses self-formulated crystalline glazes for a unique look on her Pine Pottery. This crystal is a small detail on a platter she displayed at Evergreen’s Summerfest.
Since last year’s studio tour, I’ve seen many displays of beautiful ceramics as I wander art festivals along the Front Range in search of intriguing handmade items and their creators. Always I’ve wondered what new information I might be able to share about the ceramic artists’ process. When I came to the Pine Pottery booth last month at Evergreen’s Summerfest, the possibilities became clear – crystal clear, I might say.
Crystals on porcelain or porcelain-like clay give Pine Pottery by Diana Begner its signature look. Glistening randomly on numerous pieces of functional ware, they reminded me of flowers or stars or ice on my window on a wintry morning.
How did Diana achieve that look? That was my first question — but that was just the beginning of what she would share with me at her studio two weeks later.
Pottery of porcelain-like clay with crystalline glazes were on display at the Pine Pottery booth during Summerfest in Evergreen, Colorado.
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